The Digimon Movie Wasn't That Bad

The Digimon Movie Wasn't That Bad

Brief Summary

The Digimon movie is a divisive topic in the fandom, with some adoring it for nostalgia and others criticizing it as a butchering of the source material. The speaker argues that the movie is a product of its time, specifically aimed at English-speaking kids in the early 2000s. Key aspects that define it are its unique soundtrack featuring popular music from that era, memorable and funny lines in the English dub, and the integration of three separate movies into one cohesive narrative.

  • The soundtrack is a highlight, featuring popular songs from the early 2000s.
  • The English dub has many memorable and funny lines.
  • The combination of three movies works well, tying the narrative together effectively.

Introduction

The Digimon movie is a point of contention among fans, with opinions ranging from nostalgic appreciation to harsh criticism. The speaker aims to defend the movie, suggesting it should be viewed as a product of its time and target demographic. They argue that adults may not appreciate aspects like the soundtrack as much as the children who were the intended audience.

Soundtrack

The Digimon movie's soundtrack is unique, replacing classical music and jazz with scar punk and pop music from the era. It features artists like All-Star, Less Than Jake, the Mighty Boss Stones, and Fatboy Slim. In addition to original Digimon songs like "Here we go" and "Digi rap," the soundtrack includes popular songs from the time, making it a memorable aspect of the movie. The speaker expresses a strong fondness for the soundtrack, keeping it in their car's CD player.

Memorable Lines and Movie Combination

The English version of the Digimon movie is filled with funny and memorable lines, which the speaker finds more appealing than the original Japanese release. They also discuss the decision to combine three movies into one, which they believe works well. The integration of the third movie with the second enhances the narrative, particularly by providing a more coherent reason for Lotmon's turn to evil, linking it to the virus that caused diaboromon.

Comparison with Pokemon Movie

Compared to the Pokemon movie released around the same time, the speaker finds the Digimon movie more rewatchable and memorable. While they recall a few scenes from the Pokemon movie, they feel more drawn to re-watching the Digimon movie frequently, citing the soundtrack, funny lines, and nostalgic comfort as reasons.

Angela Anaconda Crossover

The Angela Anaconda crossover at the beginning of the Digimon movie is a point of confusion for some viewers, but the speaker found it exciting because Angela Anaconda was popular during their childhood. They appreciated seeing a character they found relatable also being a fan of Digimon. The speaker is surprised that many people dislike or are unfamiliar with Angela Anaconda, as she was immensely popular when they were growing up.

Digimon Movie as a Timepiece

The Digimon movie is a product of its time, aimed at English-speaking kids in the early 2000s. The humor, music, and even the Angela Anaconda crossover reflect the interests of that specific demographic. The speaker suggests viewing the movie as a timepiece or a piece of history rather than just a random cartoon.

Errors and Plot Inconsistencies

The speaker points out a few errors and inconsistencies in the movie, such as a blurb on the VHS that incorrectly states the chosen children were kidnapped by Digimon, which was edited out of the English version. They also mention a random scene in the third part where TK and Kari are taking a photo, and the plotline doesn't flow well in the English version. However, they note that this plotline can be easily skipped.

Conclusion

The speaker concludes by reiterating their thoughts on the Digimon movie, emphasizing that it should be treated as a timepiece rather than a butchering of three movies. They encourage viewers to reconsider the movie and appreciate it for what it is: a reflection of the early 2000s aimed at a specific audience.

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