TLDR;
Candace Owens explores the potential theological and cultic influences behind the actions and figures surrounding Emmanuel Macron and his wife Brigitte. She examines the statue of the "god of Amiens" and its connections to pagan mythology, discusses Stanford University's early involvement in sex change operations, and presents audio evidence suggesting that "Prisoner 2093" was not a native English speaker.
- The statue of the "god of Amiens" represents a blend of pagan figures, linking to a broader narrative of ancient cults and rituals.
- Stanford University was an early pioneer in sex change operations, beginning in 1967.
- Audio evidence suggests "Prisoner 2093" was not a native English speaker, adding another layer of mystery to his identity.
The god of Amien and the Macrons [1:03]
Candace discusses the importance of theology in understanding world events, referencing her husband's influence on her perspective. She questions Brigitte Macron's alleged devout Catholicism, pointing to a proposal to transform the Notre Dame dome into a phallic symbol. Owens then introduces an artifact discovered in Amiens, the hometown of both Emmanuel and Brigitte Macron: a bronze statuette named "the god of Amiens." This statue, currently housed in a museum, combines elements of King Midas, the demon Cybele, and the god Dionysus (also known as Addis), and the goat-eared Pan.
The statue relates to the pagan belief in how Friia, which is a region in modernday Turkey in Anatolia, came to be. The oracle declared that it was going to be Gordius who would become the king of Friia. Agugustus was a hermaphrodite, who then castrated by gods and becomes Sibily. Sibily goes on and she mothers two children: Midas with King Gordius, and Dionis with Zeus.
Brigitte Macron selected Thomas Jolly to create the Olympic show, which sparked global outrage for its perceived promotion of trans ideology and mockery of the Last Supper. The Élysée Palace defended the performance as a tribute to Dionysus, the Greek god of wine and revelry, who is represented in the "god of Amiens" figurine. Owens finds it curious that Brigitte would involve herself in the planning of that performance.
Owens connects the dots between the statue, the Olympic performance, and a strange cake topper featuring horns at Brigitte and Emmanuel Macron's wedding, suggesting a potential link to the cult of Dionysus. She also mentions a surrealist ball hosted by Baroness Haleen de Rothschild in 1972, noting the relevance of theology and infiltration in understanding the Epstein story and the figures surrounding Emmanuel Macron.
Stanford University updates [20:32]
Candace provides updates on the "Prisoner 2093" case, clarifying that "Feros" in the Stanford digital archives is military shorthand for "further assignment." This indicates that the individual who met with the Jean-Michelle Trogneux lookalike was on temporary duty. She asks for help in identifying what "Warren" means in the context of the entry.
Owens reveals that Stanford University was one of the first institutions in the U.S. to offer sex change operations, starting in 1967. This detail is highlighted through a 1973 Stanford newspaper article, which mentions that the program had evaluated 500 candidates, with only 10% undergoing surgery. Stanford continues to celebrate its pioneering role in gender-affirming care. Owens questions whether the world is being indoctrinated into someone else's theology regarding gender and identity.
George Pompidou and the Rothschilds [34:25]
Candace shares information from viewers regarding George Pompidou, who became the president of France after Charles de Gaulle. Pompidou was the director-general of the Rothschild bank in Paris before entering politics, working under the leadership of Guaida Rothschild. This mirrors the story of Emmanuel Macron, who also rose through the ranks after being "anointed."
Prisoner 2093 audio [35:55]
Candace plays audio from an interview with "Prisoner 2093" from the Stanford website. She notes that the speaker struggles with pronouncing the letter "R," suggesting that English is not his first language. The audio clip features the prisoner discussing his role in the experiment and his ability to adapt to different roles.
Comments [43:08]
Candace shares and responds to viewer comments, discussing the cult of Dionysus and its connection to theater and performance. She suggests that some individuals, like Sean Penn, may be "military-grade actors" involved in covert operations. A viewer points out the connection between the story of Addis and the tradition of putting red balls on Christmas trees, which Owens finds disturbing. She also touches on the Titanic disaster and the moon landing, hinting at future discussions on these topics.