TLDR;
This video explores the complex views of Hayao Miyazaki, the legendary director of Studio Ghibli, on the anime industry. It addresses the misconception that Miyazaki believes "anime was a mistake," clarifying that while he didn't say those exact words, he has expressed disappointment in the industry's lack of connection to reality. The video contrasts Miyazaki's nuanced, character-driven storytelling with the current trend of more formulaic anime, particularly within the Shonen and isekai genres, which often prioritize escapism over reflection.
- Miyazaki's characters are grounded in reality, capturing the subtleties of real life.
- The anime industry is producing more recyclable, one-dimensional Shonen or isekai anime.
- Miyazaki is disappointed because Japanese animation lacks a basis in observing real people.
The Misconception of Miyazaki's View on Anime [0:28]
The quote "anime was a mistake" is falsely attributed to Hayao Miyazaki, a legendary director from Studio Ghibli. While Miyazaki never said those exact words, the quote is often associated with him humorously because he is an anime creator. Miyazaki is indeed critical of the anime industry, expressing disappointment that much of Japanese animation lacks a foundation in observing real people. He notes that the industry is full of otaku, which explains why anime isn't based in reality.
Miyazaki's Storytelling Approach [2:43]
Miyazaki's films are set in fantasy, but his characters are grounded in reality. Despite dealing with fantastical elements like gods, spirits, and talking pigs, Miyazaki captures the subtleties of real life through his characters. Examples include Chiro's fearfulness and resilience, Hal's charm and erratic behavior, and porker's fearlessness and self-loathing. Lady Iboshi from Princess Mononoke is highlighted as a character embodying Miyazaki's craft, as she is not easily categorized as good or bad, reflecting the moral ambiguity of life.
The Current State of the Anime Industry [4:22]
The anime industry has seen exponential growth in production value and output, but originality seems to have diminished. While unique and compelling series still emerge, studios are increasingly opting for recyclable, one-dimensional Shonen or isekai anime. These shows offer escapism rather than prompting viewers to reflect on their real lives. This trend aligns with Miyazaki's disappointment that Japanese animation is produced with hardly any basis taken from observing real people. Despite exceptions, Miyazaki's films stand out as unique reflections of life.